Showing posts with label Twinka Thiebaud. Show all posts
Showing posts with label Twinka Thiebaud. Show all posts

An Interview with Twinka


I was recently offered an opportunity to submit a few questions to Twinka Thiebaud in connection with reviewing her new book, What Doncha Know? About Henry Miller. Her answers to my questions struck me as quite interesting and I have included them in this post.  For those of you who are not familiar with Twinka, this is from the publicist's biography of her:

Twinka Thiebaud is a former artist's model who collaborated with many notable photographers of the 20th century.
"Imogen and Twinka," created by Judy Dater in Yosemite National Park became one of the most recognizable and iconic images captured by an American photographer. In it, 92- year-old Imogen Cunningham, a groundbreaking photographer in her own right, confronts and locks gaze with Twinka, who appears as a wood nymph frozen before the camera's lens. The image can been seen in private and major museum collections around the world.

For three years Twinka lived with the aging novelist Henry Miller in his Pacific Palisades home acting as his cook and caretaker while working as an artist's model, posing for art students and other noted photographers Mary Ellen Mark, Arnold Newman, Lucien Clergue, Eikoh Hosoe, Ralph Gibson and her father American painter Wayne Thiebaud, among others. At home with Miller, Twinka was captivated and delighted along with other dinnertime guests and celebrities by the revered author's nightly tales of his past exploits. Listening, she began to keep a notebook of her version of what he said each evening. Eventually showing him her notes, he expressed immense enthusiasm, encouraging her to write a book. The result is a compilation entitled What Doncha Know? About Henry Miller which includes both Miller's intimate conversations and Twinka's memoirs about the years she spent living under his roof and his lasting effect on her.
Twinka lives in Portland, Oregon and is working on a memoir entitled Twinka From Six to Sixty: Collected Images From the Life of an Artist’s Model.

And now, on to the questions and answers:


PAUL:  I recently reviewed your book, "What Doncha Know?" Do you have any comment on the review -- anything to correct or add?

TWINKA: Thanks for the review of What Doncha Know? About Henry Miller. I was pleased to see you have a clear picture of what interests and intrigues me most of all: PEOPLE, with a capital P! Henry Miller was one of my greatest subjects of observation along with becoming a great friend and mentor. I think you summed up the book very well and I'm glad it left you wanting more. I would have liked to keep going but circumstances beyond my control created a sudden deadline I needed to honor. Your review captures, beautifully, the spirit in which I penned the book. Thanks again.

PAUL: How would you characterize Henry Miller's sense of humor? Did the two of you laugh at the same things? Did you frequently get on a roll bouncing jokes off each other?

TWINKA: I'd like to report I had as great a sense of humor as Henry had at that time but that would be a lie. I was an anxious and uncertain young woman; full of drama and angst, usually looking on the darker side of things and not the humorous aspects of life. Aging has helped me gain a more finely tuned sense of the ridiculous and I laugh and make others laugh quite often.

Henry's sense of humor was usually based on the stories he'd tell about his failed exploits and adventures and those of his friends. He could make fun of himself brilliantly and his characterizations of the quirky souls he'd run into along the road were positively hilarious.


PAUL: Henry Miller's influence on you was remarkably positive. Based on that, what advice would you offer to people who find themselves in Henry's position of mentoring a much younger person?

TWINKA: The first thing would be to remain positive in one's approach. Henry was always incredibly supportive and caring in the way he spoke to me and others when things weren't going so well.


Focus on the other person entirely; make them feel they matter, that their feelings matter, that they have everything within them needed to find the right answers, the right path.


Don't tell stories about yourself unless the story relates directly, and in a positive way, to the other person's struggle or dilemma.

Henry built me up again and again and when I left him I was changed forever. I had no real confidence in myself when I arrived at his doorstep and I was full of ego and false bravado. Henry helped me to feel strong and capable and urged me to believe in myself and my creative endeavors; to live a more genuine life and to let go of the superficial.

PAUL: What advice would you offer a much younger person who was being mentored?

TWINKA: 1) Open yourself up to the wisdom and experience of the person whose taken you on as your mentor and show gratitude for the time they're making for you.

2) Be unendingly curious and ask a lot of questions.

3)Hang out with your mentor; go to the theater, watch a film, listen to music together and take long walks (with your cell phone turned off).

PAUL: Please tell me a bit about the direction you're headed with your painting? What do you feel you've accomplished and what more do you hope to accomplish in the immediate future? I'm quite fascinated by what little I've heard of your work, so please feel free to go into any amount of detail you wish.

TWINKA: This is the hardest question for me to answer. My painting is all about learning to "see". I'm searching, learning and feeling my way along quite slowly.

I don't show my work publicly and, perhaps, I never will. It's all about the process and the joy of not having to make a career or produce paintings for anyone but myself.

I have been in a bit of a rut for a few years with my painting so I turned to interior design projects to give myself some new challenges which I find incredibly rewarding.

Still, I love being alone in my studio with oil paint loaded on my brush, listening to great music and feeling connected to all the artists in the world throughout time.... all of us searching... and all of us learning how to see.

And the Lucky Winner is....!

The lucky winner of a free copy of Twinka Thiebaud's new book, What Doncha Know? About Henry Miller,  is The Wise Fool!

To determine the winner, I entered all the people who responded to my call for self-nominations in a random drawing. The drawing was conducted by computer at Random.org.   And up popped The Wise Fool!

Congratulations, TWF!  Please email me the address you would like your free copy shipped to.  paul_sunstone [at] q.com  I will pass your shipping address on to Twinka's publicist, Darlene Chan, but it will otherwise remain confidential. She will ship the book to you free of any charges.

Thank you everyone who entered in the giveaway!

Last Day to Sign Up!

This is the last day to enter the drawing for a free copy of Twinka Thiebaud's new book on Henry Miller.  Click  here for details!

Free Book! Win a Free Book!


Twinka Thiebaud's publicist, the wonderful Darlene Chan, is allowing me to give away -- entirely free! -- a copy of Twinka's new book to a lucky reader of this blog.  I reviewed the book in a post here, and the bottom line is I think the book is good enough that you should covet it with all your heart and all your might!

So, here's how you can lay your paws upon the free copy of Twinka's book:  Anyone who comments on this post will automatically be entered in a random drawing for the free copy.  That's it!  That's all you have to do.  Just comment on this post.  

The only catch is you must live in the lower 48 states to be eligible for the free copy. I will hold the random drawing one week from today, on Monday the 9th of January.  You have until Sunday at midnight to enter by posting a comment.  But don't forget! Enter now!

Good luck!

Coming very soon: A short interview with Twinka Thiebaud.

Book Review: Twinka Thiebaud's "What Doncha Know? About Henry Miller"

212 pages
Henry Miller was seventy-one years old when the teenage Twinka Thiebaud met him.  Of course, Miller had not only long been famous as one of the Century's greatest novelists: He had also long been famous as one of the Century's greatest pornographers and dirty old men.

The labels of "pornographer" and "dirty old man" came courtesy of the American press, which had (inevitably) discovered itself scandalized by the raw sex scenes in Miller's novels (Naturally, we Americans are not actually happy about raw sex scenes unless we feel scandalized by them -- and the more scandalized, the happier).

Miller's novels had been at first banned in the US, which caused them to be smuggled into the country as contraband.  The bans were eventually overturned in an historic 1964 Supreme Court decision.  Yet, though the Court ruled Miller's books "literature", that did not stop the press from casting Miller as a lecherous old man. And Thiebaud was quite aware of Miller's nasty reputation the day she met him.

Thiebaud describes herself on that day as an "seventeen year-old virgin" swamped by "intense anxiety" at the prospect of meeting the "salacious beast" Henry Miller. The very last thing she expected to find was a charming old grandfatherly man who showed no signs of wanting to seduce her, and who instead took simple delight in her company. But that is exactly what she found.

A few years after their first meeting Thiebaud moved into Miller's home as his cook and housekeeper.  She describes her rapport with Miller (pp. 17):

"Henry was one of the most open people I have ever known.  I knew what was going on in his head as well as his heart nearly all the time.  He did not keep many secrets and, like me, his emotions were written all over his face."
I get the impression that when Thiebaud walks into a room, the first things she notices are the people.  After that, she notices the art on the wall, then the furnishings, and then the diamond sparking on the table.

Moreover, I could be wrong about this, but I get the impression her interest in people often dominates and restrains her natural human inclination to judge people. That is, she simply takes folks as they are without trying to change them because she is so gawd awful interested in them.

If any of that is true, then it seems significant to me because Thiebaud has written a book.  A book that demands and requires its author to be a keen observer of people.  And namely, a keen observer of Henry Miller.  As well as of herself.  

Miller had a gift of gab and loved to entertain his household and his guests over supper.  At some point, Thiebaud took to keeping a journal in which she would write down her recollection of the evening's conversation before bed.  What Doncha Know ? About Henry Miller * is the product of that effort.

The book mostly focuses on Miller's recollections of, and reflections on, the people and events in his life. But it does touch a little bit on Twinka herself.  An especially revealing passage about Twinka concerns her relationship with Warren Beatty -- whom she met through Miller.

Imogen and Twinka (1975)
Warren courted Twinka in 1975, after seeing the famous photograph of her with Imogen Cunningham. He won her over, and the affair lasted until Twinka tired of Warren's sleeping with women too numerous.

Of course, when such things occur -- when a woman discovers there is a long line of other women beyond the door to her lover's bedroom -- the moment is a delicate one.  Anything can happen.  It is common enough for the woman to denounce her lover as a jerk.

Twinka reveals herself to possess thoughts and feelings that are just as graceful as her pose in the photo with Imogen. She broke off her sexual relationship with Beatty, but did not discard her appreciation for him as a superb lover (pp.34):
"He was always graceful, mannered, relaxed and confident, never mussed or awkward and never out of line. Even though I was one of many, when we were together, Warren knew exactly how to make me feel absolutely extraordinary.  Now that's a great gift!"
For that and many other reasons, the passages in this book that deal with Twinka herself are just as engaging as the passages that deal with Henry Miller.    

Apparently, Miller himself was not a great lover of women in Warren Beatty's sense.  For one thing, most of Miller's loves were never consummated.  And it seems he did not always leave his lovers much better off for having known him. But Miller knew several great truths about love, and he practiced them.

For one thing, Miller knew sex was not a necessary ingredient in great loves -- the kind of loves that inspire, affirm, and renew us.   To love and to be loved in that way is to be reborn.  And I suspect that such loves are especially valuable to artists and other creatives, for they seem to be associated with great bursts of creativity.

That was one kind of love Miller had experience and insight into.  Another, and perhaps for Miller, a more important kind of love, was the one-sided affair -- the love that longs, yearns for an impossible to obtain lover.

Unrequited love is also associated with great bursts of creativity.  But it is a darker creativity, born more from the suffering and angst associated with thwarted desire than from the love itself.
  • Miller (pp. 169): "Love is the most important theme in my life because it has provided me with almost all my creative fuel.  I could've written volumes on the subject of unrequited love."  
  • Miller again (pp.170):  "I was in love with many women, but I haven't really written about love with a capital L.  I wrote about sex!" 
  • And later on (ibid): "I'll sacrifice everything, anything -- money, jobs, wives, children -- all for love! And always for the love of an unattainable woman, an elusive woman."

From those and various other things said in Twinka's book, I get the impression Miller was more at home with a one-sided love than with a mutual love, although he experienced both in his life.  But regardless of what kind of love he was at home with, Twinka's book makes it clear love was, in Miller's eyes, a -- or even the -- motivating factor behind his writing.

As I was reading her book, I hoped for more details of her relationship with Miller. There wasn't quite the dept of description I wanted, and too few anecdotes, so I was a bit disappointed. But that's probably just me.

Twinka's book is fun.  In it, Miller tells a charming/sad/funny/revealing story about the revolutionary, Emma Goldman, that I thought taken alone was probably worth a third of the book's $15 price.  (If anyone feels they will just die unless they hear the Goldman story ASAP, email me for the scandalous details.)  There are several other precious little stories like that one, too.  Overall, the book is a quick, easy read, and you will probably not drink yourself to death out of regret if you read it.

By the way, I have emailed Twinka a few questions, and I will be posting her answers soon. Also, Darlene Chan, Twinka's publicist, has graciously agreed to give away a free copy of Twinka's book to a lucky reader of this blog.  I will post details on that free give away soon.  

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* Twinka Thiebaud's publicist, Darlene Chan, sent me a free copy of the book, which I read as part of the prep for this post.